![]() “Eric Breitenbach’s photos derive their power from the shock of intimacy. Something about the un-guarded moment of each photo lures the viewer in. We don’t know these people, and then, suddenly, we do.” -Michael McLeod, Orlando Sentinel, 1991 "The direct and honest quality of the narration in Eric Breitenbach’s photographs is measured by his steady timing and resolving judgement... Photographers can hardly change the world they describe, but as we see in the work of Eric Breitenbach, they can give us the opportunity to pause and look brightly at our fears and fascinations.” - Jeffrey Hoone, Lightwork, 1991 |
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Eric Breitenbach has been a still photographer for over
thirty years and a filmmaker for more than fifteen.
His still photographs have appeared in such publications
as The New York Times Magazine, Newsweek, Details,
Doubletake, Information Week, Labor’s Heritage,
Essence, and Orlando magazines. He has had over 20
solo exhibitions of his photographs throughout the US
and is represented in the permanent collections of
the Duke University Center For Documentary Studies,
The Carpenter Center at Harvard University, The San
Francisco Museum of Modern Art, the Ogden Museum
of Art, The Norton Gallery of Art, The Southeast
Museum of Photography, and the corporate collections
of Cincinnati Bell and Polaroid.
In 1988 and 1989 Breitenbach visited and photographed
in all of Florida’s sixty-seven counties. He called the
resulting body of work The Florida Documentary Project,
and the exhibition of 108 photographs appeared in ten
museums and galleries throughout the state.
Of The Florida Documentary Project, Jeffrey Hoone of
Lightwork wrote: “…Breitenbach fashions a tenacious
description of distracted innocence attracting
boisterous attention.” He did a similar project in 1994,
Entitled The Sanford Documentary Project, in which
he explored the three predominantly African-American
neighborhoods of Sanford, Florida, where he had lived
since 1986. The project was funded by the Florida
Humanities Council and was exhibited at four locations
regionally.
From 1991 to 1999 he photographed in the metropolitan
Orlando area; an exhibition of 100 photographs debuted
at Orlando City Hall in December 1999, entitled Orlando
at the Millennium. Donated sets of photographs from all
three projects reside in state and regional collections.
In addition to his artistic pursuits, Eric Breitenbach has
been a full time Professor at the Southeast Center for
Photographic Studies at Daytona State College since
1981. He has received institutional awards for both
teaching excellence and professional development and
research. Many of his students have gone on to become
serious practitioners in the fields of still photography,
film and video. He is married and lives in Sanford, Florida
with his wife and partner, Phyllis Redman. |
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NOTES ABOUT THE PRINTS All exhibition prints are produced by the artist and are traditional Silver Gelatin prints from negatives. All prints are contemporary and are not edition numbered. ACKNOWLEGEMENTS The museum acknowledges the support and assistance of its partner organizations in the Southeast Center for Photographic Studies, a joint enterprise of the photography programs at Daytona State College and the University of Central Florida (Daytona Beach) and the Southeast Museum of Photography, in the organization of this exhibition. |
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